Production services for campaign teams

Everything we offer lives under one roof at 18 Tai Seng Street — shoot, retouch, motion, and export. No subcontracting mystery; you know who held the camera and who signed off the grade.

Campaign photography shoot on studio floor

Campaign photography

We photograph products, people, and places for paid media, retail, and owned channels. Sets are built to your art direction — or we develop one with you from a mood board and SKU list.

Deliverables include high-resolution masters, channel-specific crops, and a contact sheet for stakeholder review. On-set art direction ensures the hero frame and the thumbnail crop both work.

Retouching review and compositing sign-off

Retouch & compositing

Clean packshots, lifestyle composites, and background extensions with colour managed from capture to export. We work in calibrated spaces and supply ICC profiles on request.

Retouch rounds include annotated PDFs so your brand team can mark up precisely. Two revision rounds are standard; additional rounds are scoped upfront for batch work.

Motion and short-form asset production

Motion & short-form video

Six-second loops, product spins, and kinetic typography cut from still masters or shot as dedicated motion plates. Formats align to Meta, TikTok, YouTube pre-roll, and programmatic specs.

Audio is optional — many clients supply licensed tracks; we can recommend stock libraries that fit regional clearance requirements for Singapore and ASEAN placements.

Social media asset grid layout

Social channel kits

Platform-native asset packs with safe zones, caption areas, and format variants. We map your media plan to filenames so trafficking teams upload the right file to the right line item.

Kits can include static, carousel, story, and vertical video variants from a single batch shoot — efficient when creative fatigue sets in mid-flight and you need fresh variants fast.

How engagements run

Most projects begin with a creative brief — channel list, deadlines, brand guidelines, and reference imagery. We respond with a scope document covering shoot days, retouch rounds, motion deliverables, and export specs. Once approved, we lock dates on the floor and assign a batch lead.

Agency producers often join our pre-production call to align on client expectations. In-house teams sometimes prefer async briefs via email; either works. We do not operate as an ad network or media buyer — we make the assets your media plan requires.

Pricing is project-based or batch-based depending on volume. Retainer arrangements are available for clients with predictable monthly output. Ask for our rate card when you start a creative brief.

Need a scope for your next batch?

Tell us what channels, formats, and dates you are working toward.